In a world where individuality is often celebrated, the competitive Broadway scene demands a different type of expertise from musicians. As a musician, you're often told to be unique, to have your own voice, your own style. But what if that very originality could be both your greatest strength and your Achilles' heel?
In a departure from our usual format at Broadway Drumming 101, we've invited Michael Aarons, a leading industry expert and contractor, to shed light on this paradox.
Why does a musician aiming to sub on Broadway need to be a near-perfect clone of the chair-holder? And how can a distinct playing style be both a blessing and a curse in this part of the music business?
Get firsthand advice and unravel the intricate balance between blending in and standing out in the world of Broadway by subscribing here:
Click here to learn more about Michael Aarons and what he looks for when hiring musicians to play on Broadway.
