In this episode, I sit down with drummer Tom Jorgensen. He’s been playing drums on the Beetlejuice national tour for the last three years. Tom talks about what makes the Beetlejuice drum book one of the most physically demanding on the road and how Shannon Ford’s original approach set the tone for everything that followed.
We dig into:
The sheer physical challenge of playing Beetlejuice eight times a week and how Tom reworked his setup and grip to survive it.
The philosophy he learned from jazz legend Michael Carvin — “It’s not about what you’re playing, it’s about what you’re doing” — and how that mindset keeps every performance fresh.
His time touring with Postmodern Jukebox, cutting his teeth on cruise ships, and what those experiences taught him about endurance, posture, and musical adaptability.
Lessons from working with Rich Mercurio and Nadia DiGiallonardo on Waitress, and the moment that turned a sub gig into his first big break.
The balance between consistency and creativity on tour — how to avoid burnout, stay healthy, and keep the show locked in night after night.
Why gratitude and discipline are non-negotiable for musicians who want longevity on the road.
Tom’s story is a reminder that Broadway drumming isn’t just about chops — it’s about mindset, focus, and knowing how to serve the show every night.
For more: https://www.tomjorgensensound.com
Listen now wherever you get your podcasts.
Subscribe at BroadwayDrumming101.com and pre-order my new book Broadway Bound and Beyond: A Musician’s Guide to Building a Theater Career at BroadwayBoundBook.com.
Mentioned in this episode:
Beetlejuice National Tour
Shannon Ford
Michael Carvin
Rich Mercurio
Nadia DiGiallonardo
Postmodern Jukebox
Waitress First National Tour
