Jared Shaw didn’t build his career on one big break.
He built it on being ready.
National tours of Beautiful: The Carole King Musical and The Book of Mormon. Broadway sub credits on Tommy, Boop! The Musical, Beaches, and more. Four years as the drummer for Billy Mira & The Hitmen on the Howard Stern Show. Percussion guest with the National Symphony of Ghana. First drum chair of the NYU Broadway Orchestra under Ted Sperling. Over 40 theatrical productions in New York City.
That’s not a resume. That’s a body of work built one gig at a time.
He also came up the right way — NYU Steinhardt, Percussion Performance, University Honors, with minors in Business of Entertainment and Producing.
In this episode, we get into what it actually took. How he approached learning difficult books. How he thinks about subbing. What touring taught him about professionalism. How electronic drumming and programming became part of his toolkit — not as a novelty, but as a necessity.
We also talk about his studies with James Saporito, Shawn Pelton, and Valerie Naranjo. Three teachers who shaped how he hears music and approaches the instrument.
This is a conversation about longevity. About what it actually takes to last in this business. About being the kind of drummer people call — and call back.
If you’re serious about how to get into subbing on Broadway, or getting a tour, this one’s worth your time.
For more: https://www.jared-shaw.com
